Hope this helps: found on
http://www.shahrukhkhan.org/srkvb3/showthread.php?p=807909
hai…mar gayee mar gayeeeee!
I’m dead!
kya hua…tujhe kya hua (2)
What happend…what happened to you?
panghat se nikli main bhar ke gagaria
I was coming from the riverbank after filling the water pitcher
kya hua…phir kya hua
what happend…what happened then?
hai…lachki jo meri yeh patali kamaria
when my slim hips swayed
kya hua…phir ujhe kya hua
What happend…what happened then?
arrre ek baanke chorre ne pakadi kalaayi
a rogue grabbed my wrist!
kya hua…phir tujhe kya hua
What happend…what happened then?
jatke se dekha toh nikla sipahi
when I looked closely he turned out to be a cop
kya hua…phir tujhe kya hua
What happend…what happened then?
jabre sipeyee ne khichi mori angiya…hai mori angiya…dekho mori angiya
that strong cop pulled my bodice…oh my bodice…look at my bodice!
phir kya hua!
what happened then?
Bharatpur lut gaya ooi mori amma (3)
Bharatpur was plundered, oh my lord!
oooh! rasta mera badla…khethon se ab nikla (2)
I took a different path…I went through the fields this time
har har ke khethon mein woh kharda tha…phuslaaya mujhko pichey parhda tha
he was standing in the fresh fields…he grabbed me and came after me
phir din daharde gajab hui gawa re
then in bright daylight a strange thing happened
Kya!!
What?!
Bharatpur lut gaya ooi mori amma (2)
Bharatpur was plundered, oh my lord!
hai…toofaanon mein ghiri…alhard jawani meri
in the depths of a storm my innocent youth was lost
kya kya sambhaloon mein…
how many things can I keep my on…
lengha sambhaloon ke choli sambhaloon ke isko sambhaloon ke usko sambhaloon main hai!!
my skirt or blouse or this one or that one!!
toofaanon mein ghiri…alhard jawani meri
in the depths of a storm my innocent youth was lost
aisi phasi main dayyia re dayyia ghorde pe aya phir jabra sipeyee
I was completely trapped, oh my!
ghorde pe aya phir jabra sipeyee
then on horseback came a strong cop
bach toh gayee par julam hui gawa re
I was rescued but something outrageous happened
kya!!
What?!
Bharatpur lut gaya ooi mori amma (3)
Bharatpur was plundered, oh my lord!
jabre sipeyee ne khichi mori angiya…hai mori angiya…dekho mori angiya!
that strong cop pulled my bodice…oh my bodice…look my bodice!
mar gayeeeee!
I’m dead!
Bharatpur lut gaya ooi mori amma…
Bharatpur was plundered, oh my lord…
Bharatpur lut gaya ooi mori amma…
Bharatpur was plundered, oh my lord…
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Singer: Manna Dey
Music : Madan Mohan
Lyrics: Rajinder Krishan
Year : 1957
9) KAUN AAYAA MERE MAN KE DVARRE……….DEKH KABIRA ROYA 1957:
(Kaun aayaa mere man ke dvaare, paayal kii jhanakaar liye)2
who came to the doors of my heart with the jingling sound of anklets
kaun aayaa
who came?
(Aankh na jaane, dil pahachaane suuratiyaa kuchh aisii)2
the eye does not know, but the heart recognizes this face
yaad karun to, yaad na aaye muuratiyaa ye kaisii
when I try to remember I can not, what is this idol
paagal manavaa, soch mein Duubaa sapanon kaa sansaar liye
crazy mind is deep in thought with this world of dreams
kaun aayaa
who came?
(Ik pal sochuun, merii aashaa ruup badal kar aai)2
one moment I think my hope has come in a different form
duuje pal phir, dhyaan ye aae ho na kahiin parachhaaiin
the next moment I think what if this may be just a shadow
jo paradesii ke, ghar aai ek anokhaa pyaar liye
that which has come to the door of a foreigner bringing an unusual love
kaun aayaa
who came?
Trans: Madhu
In 1966, Asha’s performance in the duets from music director R D Burman’s first successful movie, Teesri Manzil won popular acclaim. Their collaboration produced numerous hits in the 1970s and resulted in a marriage. In 1960s and 1970s, she became the voice of Bollywood’s most famous dancer, Helen. It is said that Helen would attend her recording sessions so that she could understand the song better and plan dance steps accordingly.[citation needed] Some of the most popular Asha Bhosle-Helen numbers are Piya Tu Ab To Aaja (Caravan), O Haseena Zulfon Wali (Teesri Manzil), and Yeh Mera Dil (Don).
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O. P. Nayyar gave Asha Bhosle a big break in C.I.D. (1956). She first achieved success in B. R. Chopra’s Naya Daur (1957), composed by him. His collaboration with Bhosle produced many hits. Later, she established herself and received patronage of composers such as Sachin Dev Burman and Ravi. Bhosle and Nayyar had a professional and personal parting of ways in the 1970s.
Prominent playback singers like Geeta Dutt, Shamshad Begum and Lata Mangeshkar (her sister) monopolized the singing for the “heroine” roles and the big films, whilst Asha Bhosle used to get the assignments they did not take: singing for the bad girls and vamps, or songs in the second-grade movies. In the 1950s, she sang more songs than any other playback singer in Bollywood, yet most of these were in low budget B or C-grade films. Her earliest songs were composed by A R Qureshi, Sajjad Hussain and Ghulam Mohammed, most of which failed to do well. Singing in Dilip Kumar-starrer Sangdil (1952), composed by Sajjad Hussain, she got reasonable recognition. Consequently, film director Bimal Roy gave her a chance to sing in Parineeta (1953). Raj Kapoor signed her to sing the song Nanhe Munne Bachche with Mohammed Rafi in Boot Polish (1954), which gained popularity.
At the age of 16, she eloped with 31-year old Ganpatrao Bhosle (1916-1966), marrying him against her family’s wishes. Ganpatrao was sister Lata’s personal secretary. The marriage failed miserably. Her husband and in-laws mistreated her. After a few years of marriage, Bhosle was turned out (around 1960) by a suspicious Ganpatrao and she went to her maternal home with two children and pregnant with her third child, Anand. She continued to sing in films to earn money.
Young and insentitive to her family’s wishes, and after two children, one would have thought that would have been the end to her troubles but this came back to haunt her as a mistake that anyone could have made.
At the age of 16, she eloped with 31-year old Ganpatrao Bhosle (1916-1966), marrying him against her family’s wishes. Ganpatrao was sister Lata’s personal secretary. The marriage failed miserably. Her husband and in-laws mistreated her. After a few years of marriage, Bhosle was turned out (around 1960) by a suspicious Ganpatrao and she went to her maternal home with two children and pregnant with her third child, Anand. She continued to sing in films to earn money.
Asha Bhosle was born in the small hamlet of Goar in Sangli, Maharashtra, into the musical Marathi family of Pandit Deenanath Mangeshkar. Her father was a theater actor and classical singer who had been born in the village of Mangeshi in Goa. When she was nine years old, her father died. The family moved from Pune to Kolhapur and then to Bombay. She and her elder sister Lata Mangeshkar began singing and acting in films to support their family. She sang her first film song Chala Chala Nav Bala for the Marathi movie Majha Bal (1943). The music for the film was composed by Datta Dawjekar. She made her Hindi film debut when she sang the song Saawan aaya for Hansraj Behl’s Chunariya (1948).
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Asha Bhosle is believed to have sung over 12,000 songs. Though her sister, Lata Mangeshkar was featured in the Guinness Book of World Records during 1974-1991, for having sung the most songs in the world, reputed sources have introduced concerns to its veracity, claiming that the Guinness counts were exaggerated and Bhosle has recorded more songs than Mangeshkar. Bhosle herself pointed out that she has sung the maximum recordings by any singer – 12,000.
Asha Bhosle is considered one of the most versatile South Asian singers “” her range of songs includes film music, pop, ghazals, bhajans, traditional Indian Classical music, folk songs, qawallis, and Rabindra Sangeet. She has sung in over 14 languages including Hindi, Urdu, Telugu, Marathi, Bengali, Gujarati, Punjabi, Tamil, English, Russian, Czech, Nepali, Malay and Malayalam.
Asha Bhosle
Courtesy: Wikipedia, the free encyclopedia:
Asha Bhosle (born September 8, 1933) is an Indian singer. She is best known as a Bollywood playback singer, although she has a much wider repertoire. Her career started in 1943 and has spanned over six decades. She has done playback singing for over 950 Bollywood movies and sold many records. She is the sister of the equally accomplished Lata Mangeshkar.
Singer: Lata Mangeshkar, Manna Dey
Music : Shankar-Jaikishan
Lyrics: Shailendra
Year : 1956
8) YEH RAAT BHEEGI BHEEGI………CHORI CHORI 1956:
(Yeh raat bheegi bheegi, yeh mast fizaayein
Utha dheere dheere voh chaand pyaara pyaara)2
(Aah, aah)
Kyoon aag si lagaake gumsum hai chaandni
Sone bhi nahin deta mausam ka yeh ishaara
Ithlaati hawa, neelam sa gagan
Kaliyon pe yeh behoshi ki nami
Aise mein bhi kyoon bechain hai dil
Jeevan mein na jaane kya hai kami
Kyoon aag si lagaake gumsum hai chaandni
Sone bhi nahin deta mausam ka yeh ishaara
Yeh raat bheegi bheegi, yeh mast fizaayein
Utha dheere dheere voh chaand pyaara pyaara
Jo din ke ujaale ne na mila
Dil dhoonde aise sapne ko
Is raat ki jagmag mein doobi
Main dhoond rahi hoon apne ko
Yeh raat bheegi bheegi, yeh mast fizaayein
Utha dheere dheere voh chaand pyaara pyaara
Kyoon aag si lagaake gumsum hai chaandni
Sone bhi nahin deta mausam ka yeh ishaara
Aise mein kahin kya koi nahin
Bhoole se jo humko yaad kare
Ek halki si muskaan pe jo
Sapnon ka jahan aabaad kare
Yeh raat bheegi bheegi, yeh mast fizaayein
Utha dheere dheere voh chaand pyaara pyaara
Kyoon aag si lagaake gumsum hai chaandni
Sone bhi nahin deta mausam ka yeh ishaara
Yeh raat bheegi bheegi, yeh mast fizaayein
Utha dheere dheere voh chaand pyaara pyaara
Trans:
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Singer: Manna Dey
Music : Madan Mohan
Lyrics: Kaifi Azmi
Year : 1972
7) TUM BIN JIWAN KAISA JIWAN………….BAWARCHI 1975:
(Tum Bin Jiivan Kaisaa Jiivan)2
(Phuul Khile To Dil Murajhaae)2
Aag Lage Jab Barase Saavan
Tum Bin Jiivan Kaisaa Jiivan
Tum Bin Jiivan…
Ruuthe Tum Jabase Piyaa
Ruuthe Tum Jabase
Suunaa Saa Hai Man Kaa Dheraa
Bairii Hai Duniyaa
Baante Koii Kyuun Dukh Meraa
Apane Aansuu Apanaa Hii Daaman
Tum Bin Jiivan…
(Kaise Dil Bahale)2
Hansanaa Chaahuun Ronaa Aaye
(Dhuundhaa Jag Saaraa)2
Kuchh Na Suujhe Kuchh Na Bhaaye
Tod Gae Tum Man Kaa Darpan
Tum Bin Jiivan Kaisaa Jiivan
Tum Bin Jiivan…
(Kisko Samajhaauun)2
Guzarii Kyaa Kyaa Biitii Kyaa Kyaa
(Puuchhe Yah Duniyaa)2
Kisake Haathon Yah Dil Tuutaa
Haal Huaa Yah Kisake Kaaran
(Tum Bin Jiivan Kaisaa Jiivan)2
(Phuul Khile To Dil Murajhaae)2
Aag Lage Jab Barase Saavan
Tum Bin Jiivan Kaisaa Jiivan
Tum Bin Jiivan…
Trans:
Singer: Manna Dey
Music : Kalyanji Anandji
Lyrics: Gulshan Bawra[/b]
Year : 1975
6) YARI HAIN IMAAN MERA……..ZANJEER 1975:
(Gar khuda mujse kahe)2
Kuchh maang eh bande mere
(Me ye maangu)2
Mehefilo ke daur yu chalte rahe
Ham pe aalao, ham nibaah laao
Hamsafar, hamraaz ho
(Ta qayaamat)2
Jo chiraago ki tarha jalte rahe
(Yaari hai imaan mera yaar meri zindagi)2
Yaar ho bando se ye . . . oh
Yaar ho bando se ye sabse badi hai bandagi
Yaari hai!
(Yaari hai imaan mera yaar meri zindagi)2
(Saaz-e-dil chhedo jaha me)2
Yaar ki gunje sada
He saaz-e-dil chhedo jaha Me yaar ki gunje sada
In dilo me pyaar hai unpe bahaare ho fida
(Pyar leke noor aaya)2
Pyar leke taazgi Yaari hai!
(Yaari hai imaan mera yaar meri zindagi)2
(Jaan bhi jaaye agar)2
Yaari mein yaaro gham nahi
Eh jaan bhi jaaye agar yaari mein Yaaro gham nahi
Apne hote yaar ho Gham-geen matlab ham nahi
(Ham jaha hai us jagaah)2
Jhoomegi naachegi khushi Yaari Hai!
(Yaari hai meri imaan mera yaar meri zindagi)2
Aaaa
Gul-e-gulzaar kyu bezaar nazar aata hai
Chashme pat ashiqaar yaar nazar aata hai
Chhupaana hamse zara haale-dil suna de tu
Tere hasee ki keemat kya hai ye bataade tu
Kahe to aasmaa se chaand taare le aau
Haseen jawaan aur dilkash nazaare le aau
(Tera mamnoon hu )2
Tumne nibhaaya yaaraana
(Teri hasee hai aaj sabse bada nazraana)2
(Yaar ke hasti hi)2
Mehefil pe jawaani chhaa gayi, chhaa gayi Yaari hai!
(Yaari hai meri imaan mera yaar meri zindagi)4
Trans:
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Singer: Manna Dey
Music : Kalyanji Anandji
Lyrics: Indeewar
Year : 1967
5) KASME WAADE PYAAR WAFAA SAB………..UPKAR 1967:
Kasme waade pyaar wafaa sab, Baatein hain baato ka kya
Oaths, promises, love, fidelity all are just words, what of words
Koyi kisi ka nahi ye jhoothhe, Naate hain naato ka kya
no one is anyone, these are false connections, what of connections
Hoga masiha…
God will be
Hoga masiiha sammne tere,
God will be there in front of you
Phir bhi na tu bach paayega
but you will still not be saved
Tera apna…
Your own
Tera apna khoon hi akkhir tujhko aag lagaayega
your own blood will set fire to you (cremation ceremony)
Aasmaan mein…
In the sky
Aasmaan me udne walle mitti mein mil jaayega
those who fly in the sky will end up in dust (buried)
Kasme waade pyaar wafaa sab, baatein hain baato ka kya
oaths, promises, love, fidelity all are just words, what of words
Sukh mein tere…
In your happiness
Sukh mein tere saath chalenge,
everyone will walk with you in your happiness
Dukh mein sab mukh modenge
in (your) sorrow everyone will turn their faces away
Duniya waale…
people of the world
Duniya waale tere bankar tera hi dil todenge
people of the world will first become yours and then break your heart
Dete hain…
they give
Dete hain bhagwaan ko dhokha,
they even cheat God
Insaan ko kya chhodenge
how can they let go mortals
Kasme waade pyaar wafaa sab, Baatein hain baato ka kya
Oaths, promises, love, fidelity all are just words, what of words
Koyi kisi ka nahi ye jhoothhe, Naate hain naato ka kya
no one is anyone, these are false connections, what of connections
Trans: Madhu @ Bollywood Lyrics
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