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DOWN MEMORY LANE:

Latest post 01-05-2008 1:07 AM by abhasbajpai. 54 replies.
  • 09-28-2006 1:43 PM In reply to

    Re: DOWN MEMORY LANE:

    Whew!! Lataji turns 77 today, what a run this great artise had;

    The greatest ever in playback singing, recorded the most songs by a single artiste.

    HAPPY BIRTHDAY LATAJI

  • 09-28-2006 1:55 PM In reply to

    Re: DOWN MEMORY LANE:

    Wednesday, September 28

    Happy Birthday to Lata Mangeshkar .

    Lata Mangeshkar is not just a name, it is a tune undefined. The most popular singer, India has ever known.

    Born September 28, 1929 in Indore, Lata Mangeshkar has been active in all walks of Indian popular and light classical music having sung film songs, ghazals, bhajans and pop. She is the supreme voice of popular Indian music, an Indian Institution. Until the 1991 edition, when her entry disappeared, the Guinness Book of Records listed her as the most recorded artist in the world with not less than 30,000 solo, duet and chorus-backed songs recorded in 20 Indian languages between 1948 and 1987. Today the number might have reached 40,000!!!
    Her first Playback was in a Marathi film in 1942 - Kitti Haasal(was not used)and 1942 - Pahili Mangalagaur (naatli chaitrachi navalai...), she even acted
    in a few marathi films........and her first Hindi song(but in a Marathi Film)1943 - Gajabhau (maata ek sapoot ki duniya badal de tu...)

    The Royal Albert Hall, London has recorded the graph of Lata's voice with the help of a computer which is by far the "Most Perfect" in the World.

    Lataji has been awarded an Honorary Doctorate by 6 universities including the New York University.

    She has been Voted as The Most Important Indian of the 20th Century (Arts) in a Net Survey By IndiaWorld
    Some of Lataji's awards include :

    1969 : Padam Bhushan
    1974 : Guinness Book of World Records:for singing the maximum number . of songs in the world

    1980 : Was presented key of the city of Georgetown, Guyana, South America

    1980 : Honorary Citizenship. The Republic of Suriname, South America

    1985 : 9th June declared as Asia Day in honour of her arrival in Toronto, Canada

    1987 : Honorary Citizenship of the U.S.A, Houston, Texas, U.S.A

    1989 : Dada Saheb Phalke Award

    1990 : Honorary Doctorate (Literature) By Pune University

    1998 : Lux Zee Cine Lifetime Achievement Award
    1999 : Padma Vibhushan

    1999 : NTR Award

    2000 : Lifetime Achievement Award by IIFA in London

    2000 : Jeevan Gaurav Puraskar by the Chaturang PratishthanThe Bharat Ratna Award

    2001 : Bharat Ratna - The Nation's Highest Civilian Award

    2001: Noorjehan Award : First Reciepient

    2001: Maharashtra Ratna : First Reciepient

    2002: Felicitation By CII ( For Contribution to Music & the Film Industry)

    2002: Hakim Khan Sur Award ( For National Integration by Maharana Mewar Foundation)


    First Reciepient
    Doctor of Literature from Shivaji, Kolhapur, Pune, Khairagadh Music University, Hyderabad University & New York University. Lataji has received about 250 trophies and 150 gold discs The only Asian to have received the Platinum Disc of EMI London Swar Bharati award given by Shankaracharya of Sankeshwar In Tirupati, the title of Asthaan Sangeet Vidwaan Sarloo(Court Musician of the Shrine).
    http://surgingwaves.blogspot.com/2005/09/happy-birthday-to-lata-mangeshkar.html
  • 10-01-2006 1:24 AM In reply to

    Re: DOWN MEMORY LANE:

    1.Aayega aanewala (Mahal, 1949) music by Khemchand Prakash)

    http://www.channeldosti.com/oldies/Lata%20Hits/Aayega%20Ane%20Wala.mp3

    This was the song that defined the beginning of the Mangeshkarian magic and transformed Madhubala into an instant living legend. Ironically, Madhubala didn't lip-sync it on screen at all ! It was played in the background. But what an impact it made ! With one song Lataji wiped away all the careers of existing female singers. Ashok Kumar who played the lead in Mahal still recalls how everyone in the room reacted when the then- unknown Lata was asked to sing. Even today mention of Aaayega aanewala lights up Lataji's eyes. "It's hundred percent my favourite. I had done a number of rehearsals for the song. Actually the composer Khemchand Prakash heard me singing for Anil Biswas. A number of tunes were readied for Aayega aanewala. I was given strict instructions about the importance of the song. The producer Ashok Kumar and the director Kamal Amrohi told me I had to sing as though the heroine was approaching from a distance. Since the studio was very large, I was placed in one corner of the room and told to gradually approach the microphone in the middle of the room while singing. There were no dubbing and editing devices in those days. We had to do it all in one go. I still remember we recorded the entire day."

  • 10-01-2006 1:26 AM In reply to

    Re: DOWN MEMORY LANE:

    2. Pyar kiya to darna kya (Mughal-e-Azam, 1960; music by Naushad)

    http://www.channeldosti.com/oldies/Lata%20Hits/PYAR%20K...0TO%20DARNA%20KYA.rm

    The image of Madhubala dancing in a thousand images reflected on the walls of the "Sheesh Mahal" set is as alive today as it was in the 60s. The lyric by Shakeel Badayuni has acquired the hue of an emblem accentuating rebellious love. It was composed by Naushad who suggested the key line Pyar kiya koi chori nahi ki to Badayuni. The line became the highlight of the song. Naushad feels Lataji gave her best to Mughal-e-Azam.
    Listen to Lataji sing Pyar kiya to darna kya and you'll know why the composing genius Sajjad Hussain once exclaimed, "Lata sings, the others weep before the microphone."

     

  • 10-01-2006 1:28 AM In reply to

    Re: DOWN MEMORY LANE:

    3. Aaja re pardesi (Madhumati, 1957) music by Salil Chowdhury)

    http://www.channeldosti.com/oldies/Lata%20Hits/Aaja%20Re%20Pardesi.mp3

    Salil Chowdhury is one of her absolute favourite composers. "I love all the songs of Madhumati," the Nightingale confesses excitedly, and blushingly remembers how happy everyone was on the day Aaja re pardesi was recorded. "Lyricist Shailendra gave me flowers. The director Bimal Roy came forward to congratulate me. The song was beautiful and it was such a big hit too." The song won Lataji her first Filmfare award.

    Some of these song will be featured in "LATA MANGESHKAR ACCOMPANIES US DOWN MEMORY LANE: VOLUME 2"

     

  • 10-01-2006 1:29 AM In reply to

    Re: DOWN MEMORY LANE:

    4. Kahin deep jale kahin dil (Bees Saal Baad, 1962) music by Hemant Kumar)

    http://www.channeldosti.com/oldies/Lata%20Hits/Kahin%20Deep%20Jale.mp3

    Prior to this song, Lataji had fallen seriously ill. Doctors had predicted that she'd never be able to sing again. Being a born fighter, the Nightingale swore to bounce back. Her first recording after her illness was this high-pitched number of haunting Dimensions. Lataji was nervous and apprehensive. "Fortunately the recording went off very well. Hemant Kumar was of a very quiet temperament. He knew exactly what to compose for me." Interestingly Hemant Kumar recorded Lataji's voice during the rehearsal and okayed it as the final take, the Nightingale says she's glad she made a comeback after her illness with an intricate song like Kahin deep jale. She had a point to prove to her detractors who were waiting for her downfalls and she proved it. The song won her another Filmfare award.

     

  • 10-16-2006 10:53 PM In reply to

    Re: DOWN MEMORY LANE:

    As had promised sometime ago, another sets of songs by Lata Mangeshkar entitled

     LATA MANGESHKAR ACCOMPANIES US DOWN MEMORY LANE: VOLUME 2

     Coming up shortly:
     

  • 10-16-2006 10:55 PM In reply to

    Re: DOWN MEMORY LANE:

    LATA MANGESHKAR ACCOMPANIES US DOWN MEMORY LANE: VOLUME 2

     

     
    (13) INHI LOGON NAY LAY LENA DUPATTA...........PAKEEZAH
    http://www.channeldosti.com/oldies/Lata%20Hits/Inhi%20Logo%20Ne.mp3

    (14) AAJ PHIR JEENE KI TAMANNA HAI.............GUIDE
    http://www.channeldosti.com/oldies/Lata%20Hits/AAJ%20PH...0TAMANNA%20HAI%20.rm

    (15) BINDIYA CHAMKI GEE........................DO RAASTE
    http://www.channeldosti.com/oldies/Lata%20Hits/Bindiya%20Chamkegi.mp3

    (16) CHALTE CHALTE YUNHI KOI...................PAKEEZAH
    http://www.channeldosti.com/oldies/Lata%20Hits/Chalte%20Chalte%20Yunhi.mp3

    (17) BAAHARON MERA JEEWAN......................AAKHRI KHAT
    http://www.channeldosti.com/oldies/Lata%20Hits/Baharon%20Mera%20Jeewan.mp3

    (18) DIL DIWAANA BIN SAGNA KAY.................MAINE PYAR KIYA
    http://www.channeldosti.com/oldies/Lata%20Hits/Dil%20Deewana.mp3

    (19) DIL KA KHELONA HAI TOOT...................GOONJ UTHI SHEHNAI
    http://www.channeldosti.com/oldies/Lata%20Hits/Dil%20Ka%20Khelona%20Hai.mp3

    (20) DIL TO HAI DIL DIL KA IATBAAR.............MUQANDAR KI SIKANDAR
    http://www.channeldosti.com/oldies/Lata%20Hits/Dil%20To%20Hai%20Dil.mp3

    (21) HAMEIN AUR JEENE KE.......................SOUTEN
    http://www.channeldosti.com/oldies/Lata%20Hits/Hamain%20Aur%20Jeeney%20Ki.mp3

    (22) KOI MERE DIL MAY..........................ANDAAZ
    http://www.channeldosti.com/oldies/Lata%20Hits/Koi%20Mere%20Dil%20Mein.mp3

    LATA MANGESHKAR ACCOMPANIES US DOWN MEMORY LANE: VOLUME 2


    LOOK OUT FOR:
    LATA MANGESHKAR ACCOMPANIES US DOWN MEMORY LANE: VOLUME 3

     

  • 02-02-2007 9:42 AM In reply to

    Re: DOWN MEMORY LANE:

    Loverji I have fowarded your concern to Admin: hoping he fixes problem soon.
  • 01-05-2008 1:07 AM In reply to

    Re: DOWN MEMORY LANE:

     abdool you rock, i am from this generation, but the oldies are the best, they have meaningfull lyrics, and the voice of the singer, every body that time has to sing form the heart, as there was no music or technology that time to hide the "besurapan" of the artiest, now days its technology, cut recording etc to help them.

    songs these are forgot in a year or two because there is no melody, you go to disco and listen them and forget them, there are remixes which are more  hit then current generation song .
    even i am flaming the debate  but its true no current generation singer can sing  without cut recording, thats why even in stage shows they are lip syncing. they need breaks in songs, in yesteryears they sang with all the orchestra live  even if its OP NAYERS  famous horse tapping  sequences.

    agin ABDUL you ROCK. 

     

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